Several weeks ago, I managed to find time to go to the movies and
watch the film rendition of William Young’s bestseller The Shack. Years ago, when the book became a sensation,
I read it and thought it was a very interesting, insightful and creative book.
When the book came out, it was very controversial. It still is, and there have been contentious
and strident view even among theologians.
Part of the problem, I think, is that this book isn’t a theological
book. If it was written with theology as
its raison d’etre, even I would have much to say.
It’s basically a story about a man’s inner journey where he faces
and heals his inner demons. In the
story, Mackenzie deals with the terrible death of his youngest child who was
abducted during a family picnic. But if
you take some time to read or learn about Young's story of his life, it will
be evident that he used this to portray his own struggle with his own inner
demons, having been abused himself when he was a young man in boarding
school.
He initially wrote this book for his own children, at the request of
his wife. He took several liberties, as
authors of fiction are wont to do, to portray the characters of his story and
using the tools of other subjects. I
guess that the main struggle with a lot of readers is that Young's liberties
were taken a tad too far. In his work,
he meets God in his Trinity of persons, and God the Father is portrayed by a
woman who is of African origin. It
reminded me of a bumper sticker I once saw in one of my visits to America. It said “God is black, yes she is!” I remembered laughing out loud in the store
when I first saw it because it had the power to destroy more than one mental
image in one swift blow. It wouldn’t
surprise me if Paul was inspired by that very same bumper sticker.
All stories are true; some of
them really happened. The story of
Mackenzie and how he came to a closure as far as his daughter’s death was
concerned becomes a light or a pattern of how we too need to deal with our own
personal issues, demons and addictions.
Of course, those of us who have great problems skirting around our very
fixed notions of how God should appear will find this a great challenge. If we can just agree on the point that this
is the hermeneutic that Young was using as a vehicle for his message of
forgiveness and mercy, I am quite certain that the liberties that he took can
be overlooked.
The same needs to be applied too when we open Scriptures, because
there are so many places in Scripture where God is portrayed in an analogous
way. We see him as a mother hen, as an
eagle, a lamb, a lion, and as a shepherd. Yet, we don’t
get stuck in these images and get all riled up about them, do we? Scripture purists and scholars are never offended by these and get all antsy saying that these are lies about God. God is, after all, ineffable. This means that he is too great to be
encapsulated and expressed or described in words, and the best that we can come up with is to say that God is like...
Would I recommend this film to anyone? Perhaps not without a caveat. It is a story, and like I said, all stories
are true. Some of them really
happened. Some guidance would be
helpful, especially if one’s notion of God and how God works are very clearly
defined and demarcated.
In this case then, I would rate this film PG, where one can benefit
from the guidance of another who is spiritually mature.



